chapbook
ISBN: 978-1-942004-04-2
Publisher: ELJ Publications
Everything I Know I Learned From Anthony Frame. This book teaches us it's all semiotics and mythographies. The symbols we are, the couplets we make are all footnotes elsewhere. Here is a poet who is trying to trace himself back to himself, to find the name behind the names, to understand the why of the whys. Is he successful? He shows us he is, but makes us question it. Let this book show you Anthony Frame. He knows himself and he is unashamed.
—Dan Nowak, author of Recycle Suburbia and The Hows and Whys of My Failures
OUT OF PRINT
If anything can have Soul, even
Nirvana's "Stay Away," then
voices don't have to die as long
as they're reinvented. This is my religion,
where bodies drift to dust but guitars
are reincarnated as trumpets.
Bob Dylan's too easy; Elvis too. I want
Marilyn Manson as Christina Aguilera,
and vice versa. I want to hear
Eminem's mash-up of "I am Beautiful"
and "The Beautiful People." Our heroes only
stay dead if we forget them, if we
let them. So, let the karaoke bars close
their doors. Tonight, I’m wearing
a guitar until I learn how
to play "Rocky Mountain High" through
metal and gospel fusion. Because
we're only bound by our genres if
we can't see a chord as a cocoon,
metamorphosis as a way to decompose
our old gods in our own images. These bodies
are just husks and there's no karma better
than hearing a vocal fold as it stretches
across the decades. In a perfect world,
we'd already know Marvin Gaye's interpretation
of "Black Hole Sun." Maybe next time,
with all those sold souls on stage,
jamming together in their white robes.
I'll be there, singing in the crowd,
passing that rotten apple of knowledge around
while Jimi Hendrix does "Imagine" as one
long guitar solo. Bouncing on the cloudy floor,
wearing nothing but a fig leaf. Bodysurfing
until my wings are stripped of every last feather.