November 16, 2016
Chris Campanioni
donald trump shakes
a hand & a boy dies. a woman right after
asks trump to talk about why he wants women
thrown in jail for the right to choose. excuse me
he says, smiles, shakes again but this time
points, & how old are you girl? i didn’t know
they let students carry press passes. another
moment till an ad break the noise with more noise
everything is for sale in america everything
i think & change the channel, cruising
on about an hour in & after, she's gotta have it
i remember they filmed that down the block before
i ever called here home or walked this earth, for now
trump smiles again, shakes his head
& points a finger as a boy dies, three more two
days ago in chicago where murder
is more common than every woman's right
to choose. today trump is wearing a double
breasted wool blue suit & his bronze
hair is swaying in the wind the news
didn't have to manufacture for the air i can almost
feel the fucking breeze each time he shakes
another hand or smiles & nothing else is on
except a few old movies & old men performing
thru covert means & the search for being
sexually independent or real
love talking about a new united states, the freedom of
whatever is needed & still we shake, anyone
watching or being watched in this man's
fucking wake, excuse me girl his voice in my own
head repeating & cruz comes on
to say he remembers the seventies, that climate
change is not an issue & it's our job to kill
terrorists who bow to another god, the world
is on fire he says & throws his arms up
like he really means it or the guy a parent pays
to do tricks at a toddler's birth
day party & pull what rough beast
from a hat, or say cheese
& die basically, which is the best
goosebumps but also america's
prevailing rhetoric when it comes to thinking
about any person deemed different & this
thursday as the world turns bill wants to make
believe that black lives don't matter, remind us
all again president how many black bodies
were incarcerated in place of funds for public housing?
the eighties & the nineties & today
i'm dressed like a founding father
trump is on tv, i'm black in america. i feel like
there's a poem there somewhere my sometimes
inspiration & muse Ashley M. Jones
writes via status update & you? i think & also
always mean me. where are you or why
do you keep watching? every time trump shakes
a hand a boy dies, passionate intensity of
the worst, the rest are no better
democrats, republicans, the privilege
to fucking smile & lie
in bed after a hard day's work
the new united states can't bear to blink, change
the station or turn it off. we barely can bear
to think, this year & the one before
& the one that will follow that assuming
we survive this. we barely can
believe it & i believe it
When we dance, we are meant to "lose ourselves," but rather than any sort of transcendental moment, this title draws out a dance that has many of us losing ourselves in a capitulation; we are either livid, so mad we can't think (as in "I've lost it!") or we've surrendered our identities, who we are inside and the diversity of that, to demagoguery; a disease or sickness that keeps us shaking, that keeps us awake at night as in the day.
I wrote "donald trump shakes" last spring, during the heat and fervor of the primaries, a one-week period in particular that saw candidates (or their kin) from all sides and every side commit themselves to mainstreaming injustice and intolerance through racism and ignorance. Claudia Rankine wrote in 2004's Don't Let Me Be Lonely that the attack on the World Trade Center "stole from us our willingness to be complex." We can see the residual effects of that today; out of every nightmare dredged up in this piece, the one that seems most prophetic to me seven months later is "everything is for sale in america everything" and "the news / didn't have to manufacture for the air I can almost" … We can't breathe; we must breathe, even and especially if it's to shout out. Everything but dear friend and poet Ashley M. Jones is lowercased, a literal casting down of our public officials and the media that consents to them.
Glass: A Journal of Poetry is published weekly by Glass Poetry Press.
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