Leslie Contreras Schwartz
Azaleos
I met myself
on the sidewalk
walking my son in the stroller.
I could not tell
how old I was, too many
lines or not enough,
around the eyes.
Then azaleos
bursting in the dry soil
on Mullins Street
impossibly bright,
as if something I dearly
wanted but did not even
know existed until
we were face-to-face.
I want to be every
child that passes,
every girl I try
to recognize peddling
on wobbly legs,
plastic bike pedals squeaking.
Was I ever that child, or this
one, her mother swinging
her so high she is flying
away from her, then back,
then away again.
Everything repeating,
the way the cracked sidewalks
open to the root of the oak trees,
unearthing the parched earth.
Whose child are we if we
can't remember the child,
whose mother, whose father.
Many mothers have buried
themselves in these cracks,
hedged between the earth
and cement of marriage and children.
I have never thought of grabbing
my daughter by a fistful of hair.
Locking her outside the house,
the sun punishing her body with heat.
But sometimes I feel that crack
rising, a dryness in my throat.
I am not sure if it is the want
of the girl or my own mother
who needs attention, whose feet
I am stepping in. Because
a mother is not born
loving their child, no angel
appears in her heart, igniting night,
wetting her eyelashes with God.
No sacred seed in her womb
holding in a floodgate of warm tears.
Even the infant gazes
at the ceiling, watching
shadows come and go,
the desert of walls. You are either
the one who catches the child
who falls, or not. There is no
in between place. A child is loved,
or she is not. And Plato,
he did not say that really the people
in the caves were all children,
the shadows, their mothers.
And this is why she must not only untie
them, let them out of the cave,
but carry them on her back into the
window of sunlight.
You can tell which mothers these
are by the curve of her back,
how much weight she let
herself carry. That part
sacred — not the mother,
not even the child —
but the carrying, the weight,
faces in full sun
where, outside, azaleas
are pushing through every leaf-bud.
I wrote this while trying to grapple with the myth of motherhood, particularly that of the all-sacrificing, pristine martyr. The true story of motherhood is one of struggle, of a hard-earned belief that humanity is worth continuing through the raising of children, while dealing with the weight of that responsibility; it can be, at times, crushing. Simply put, no woman is born to be a mother. It is not a calling, either. It is something else, which I try to understand in this poem.
Glass: A Journal of Poetry is published monthly by Glass Poetry Press.
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