Saddiq Dzukogi's poetry has featured or forthcoming in literary publications such as: New Orleans Review, African American Review, Chiron Review, Vinyl Poetry, and Volta, among others. Saddiq lives in Minna where he teaches at the School of Languages, Niger State College of Education.
the poem says I am coldhearted, a tree
no one is able to climb, that my face is
broken and is in many places like twigs
making sense of a wind-wave, the more reason
I am loved is because looking into every enemy
you'll find something to love.
says throw your grief over the window,
you’ll splutter a hunk of it on curtains,
eyelashes are affectionate
of the horizon that knows
there is something to hate
in the grimy countryside, something to hate
about flaws engraved on my body. the poem
loves my body, a glass of water,
soaks the lips of a world that speaks
softly, a glass of myriad cracks,
nothing uttered is enough to brand
echoes on its walls, it is an object on the desk,
in a rendering room, a ghost waiting to be seen
in the darkness of father's light,
the poem says in my eyes is everyone who will die,
my ears burn in what the poem says,
the poem burns, until I transmute into something
half-formed in the smoke of what is yet to happen.
says If I stay long enough on a spot,
my feet will become roots,
and I'll be unable to leave. the poem, a
mouthpiece of a body unable to speak,
ravening in the feeds of mind, the meadows
that remember their own stories in open fields,
carried on the mandible of birds and in the voices
crickets make at night. the poem, a prayer
same as a song, same as a lamplight
shinning back at its creator
The poems are rarely personal lamentations, but this one I wrote being a naked reflection in the mirror. I spent days writing it on pieces of papers, days without a sense of direction. The poem kept coming at me by the day, one line at a time until I was afraid I'd lose the several pieces, so I spread them on the bed and stitched the lines into one whole in a separate paper.