Jade Hurter is the author of the chapbook Slut Songs (Hyacinth Girl Press, 2017). She was a finalist in the 2016 Tennessee Williams Poetry Contest, judged by Yusef Komunyakaa, and her recent work has appeared or is forthcoming in The Columbia Poetry Review, Tinderbox, Passages North, New South, and elsewhere.
Of the Way whereby a Formal Pact with Evil is made
All language lifted from the title chapter of the Malleus
Maleficarum, the most well-known manual for hunting
witches, published in 1487.
there are three kinds of witches
it is common to all of them to practise carnal copulation with devils
a trembling in the hands
the devil sexes his power
bodies all her wishes
we first tried to seduce her by night
she rode through an illusion of devils
we set our snares
a secret truth: certain witches adore
the command of virtue
easily persuaded to consent
a young man drinks from the skin
through the mouth of someone else he promises
surrender of body and soul
approach her gently, exacting only small things that may graduallylead to greater things
the heart the lips and the Angel despair
This poem is the first in a series of erasures I have been working on, all of which are taken from the Malleus Maleficarum, or The Hammer of Witches, a manual for hunting witches written by the Catholic clergyman Heinrich Kramer and first published in 1487 in Germany. For 200 years, it was second in sales only to the Bible. I have long been interested in the places where femininity and evil coalesce, and for Kramer, the woman is a natural source of evil, a porous medium for Satan to enter. According to the text, women who live independently or embrace their sexuality are most likely to be witches, because they lack the tempering influence of stable masculinity. In this poem, I wanted to use Kramer's own words to show the monstrosity of those who would (and did) torture women accused of being witches; basically, flipping the monstrosity described in the text on its head.