Remi Recchia is an MFA candidate in Poetry at Bowling Green State University, where he serves as Assistant Poetry Editor for the Mid-American Review and teaches Creative Writing. His work has appeared in or will soon appear in Old Northwest Review, Blue River Review, Front Porch, Gravel, Bottlecap Press, and Ground Fresh Thursday Press, among others.
Remi Recchia
I'm Sandcastled Sometimes, But Mostly Just Hungover
The tracks are on my
tongue, she said, and I am tired
chameleoned and pressed by sunlit
hands sorrow tree fall,
so I said, wait, there's more, where
did your father grow, and she said, feathers
don't matter without the moon. If money
is an abstract is a couch is a mouth,
then I am three moths in a cookie cutter
sworn in by ovens, lean and iron-guided
milkshake, not a milkshake, a dead cow's
swollen pink udders. No milk comes from starv-
ation, Kate Moss jaywalking through space
as her own fangirl, hips gyrating before Elvis
because why keep time linear when you can re-
cycle it like a spork without a spork like lungs
drowned deep in Ophelia's heartbeat
spitting out frog fluid delight. Closing time
glows amber, she said, and I did not disagree,
but I wanted to arrest the night because glued
bones work better than band-
aids and eyelashes are only sticky on the floor.
How sad am I, she said, that he doesn't
love me, and I said, why love when you can de-
lineate, why mourn when mushrooms ready
sit outside for plucking.
Glass: A Journal of Poetry is published monthly by Glass Poetry Press.
All contents © the author.