Stephen S. Mills is the author of the Lambda Award-winning book He Do the Gay Man in Different Voices and A History of the Unmarried, both from Sibling Rivalry Press. He earned his MFA from Florida State University. His work has appeared in The Antioch Review, PANK, The New York Quarterly, The Los Angeles Review, Knockout, The Rumpus, and others. He is also the winner of the 2008 Gival Press Oscar Wilde Poetry Award and the 2014 Christopher Hewitt Award for Fiction. His third poetry collection Not Everything Thrown Starts a Revolution is now available from Sibling Rivalry Press. He lives in New York City with his partner and two schnauzers.
Stephen S. Mills
In Life We Want Answers About Death
Like the fireman who died
around the corner
from my apartment in Harlem
as if walking into fire isn’t reason enough to die
but we have methods
for survival
and when they do not work
we worry
we dissect
we must decide what went wrong
the street is closed
a camp setup
firemen and policemen there round the clock
and TV crews too
and the mayor once
everyone needs answers
and now they are tearing down the building
for it is not safe
which makes the street look like a mouth
with a busted tooth
and my neighbors all stop to look
to snap pictures
to say I was here
I was alive
on a spot where someone died
which is nearly everywhere
in this city
in this country
in this world
today I read about the Golden State Killer
finally identified after forty years
72 years old now
a man who thought he’d gotten away
with raping 50 women
and killing 12 people
a man who caused a wave of terror
through Sacramento in the late ‘70s
a man who used to go to townhall meetings
about his own attacks
how one man stood up
said he didn’t understand how men
were letting their wives get raped
in front them
this man was angry
looking for someone to blame
why not the victims
so the Golden State Killer
went to that man’s house next
raped his wife in front of him
to prove a point
how fucked up is that
and do answers ever really satisfy
I think of my younger sister
who spent her childhood
with bloody hands: wash, wash, wash
feared nearly everything
like getting AIDS
feared the punishment
for not doing X was something deadly
a car crash
cancer
these things rub on to you
I remember them in fragments
like how she checked the keys each night
in the front closet by the door
how her little fingers jingled them
how I waited for that sound
so I could fall asleep too
and I wonder if I would have ever touched
those keys had she forgotten
but she never did
did she
and nothing truly terrible ever happened
what started such behavior?
every therapist I go to wants to know
wants to know why she was never put in therapy herself
the answer is death
our grandmother’s death
tragic but she was an old woman
but it was sudden:
Valentine’s Day
I saw her on Valentine’s Day
I was nine
my younger sister 7
candy hearts with little words printed on them:
LOVE ME
MARRY ME
KISS ME
heart
heart attack
wood paneling of older sister’s bedroom
parents in doorway
faces not right
she’s dead
grandma is dead
sometimes you don’t recover
from the most expected of tragedies
sometimes you turn everything into a game
because life feels so random.
because life is so random.
if I don’t do X
something horrible will happen
I see a kid on TV say Valentine’s Day
will never be the same
after his school was shot up
on that day
in the latest American massacre
because death changes things
and now I’m remembering a girl
on the train last week
like something out of a movie
a painted face
bright red lipstick
with mascara rivers
down each cheek
as she stood in front of a boy
who had done something
or maybe nothing
was it the fall out of a tragedy
or the fear of one about to come
I don’t know
I longed to be able to hear
what they were saying
from the other side of the car
but the train kept screeching
and the people all around kept talking
and talking
and talking
and I wished everyone would just shut up
and listen
Glass: A Journal of Poetry is published monthly by Glass Poetry Press.
All contents © the author.