Linette Reeman
The FBI Uses My Pronouns Correctly When They Search My Apartment For Evidence
i don’t know how to write a poem in metaphors anymore
i just put my whole mouth over the truth and gag it dry
but let me attempt poetics, if that’s what’s easier:
the fbi came into my job like a fog
they dipped me in sweat then filled my mouth
with words like trauma and government
like they didn’t know why i say them
one after another like they’re not playing
word association with everything i’ve
shared already like they don’t ask me why
i flap my wings so wide like they’re not
asking me to clip my own tongue
or maybe this:
the fbi opened my kitchen cabinets
like a threat
we gather around each prodded drawer
like wary animals upon roadkill
the fbi sifts through my closet
and it sounds like beach-sand
the fbi asks my roommate
about the particulars of her food storage
and i see every ex-lover’s face
lips ticker-tape pursed
calling me paranoid
like i wasn’t right
like crazy was why they left
instead of dangerous
the fbi is searching my apartment
for weapons because my name
screamed itself raw
and this was enough
to send a quiet siren
a pack of trained animals
at some wounded nature
like snarling at the ground
would make it bloom meat
or maybe this:
the fbi learned my pronouns
so they could sweet-talk
themselves into my apartment
like i didn’t know my rights
like i hadn’t practiced saying no
into the bathroom mirror
or into her pillow
or into his hand
or into the empty hallway
the cops left me chained in
the first time my lovers woke up
and my name was a metaphor
for an animal endangered
and if i had to compare it to something
i’d say it felt
no metaphor, like a threat
no metaphor, like a trauma
no metaphor, like a kill
Glass: A Journal of Poetry is published monthly by Glass Poetry Press.
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