Su Hwang's debut poetry collection Bodega is forthcoming from Milkweed Editions in October 2019. Born in Seoul, she called NYC and SF home for many years before transplanting to the Twin Cities to attend the University of Minnesota as a late bloomer for her MFA in Poetry. She currently teaches creative writing with the Minnesota Prison Writing Workshop, helps out at Motionpoems, and is the co-founder of Poetry Asylum (an organizing arts agency with poet & activist Sun Yung Shin) in Minneapolis.






Su Hwang

Duende Essays



after Lorca;, for Ray Gonzalez ∞ Plod the entirety of a country in someone else’s shoes. Smell of rot. Women clutch a stranger’s child found sobbing along the shoulder of unmarked forks. Tethered to nothing — together — they march out to sea. ∞ Spotted by a murder of crows: mummified figures half-buried beneath a stand of Palo Verde trees. Border is a moving finish line — makeshift shrines are left to comfort spirits at unrest. X marks the spot to shallow mounds of polished pebbles, flora halos withered, relinquished rosaries. Sluggish winds whisper: pluck prickly pears from hosts, split them open to resurrect hauntings of thirst… ∞ Wren’s waifish skull leans against a ladder of fishbone; hoary scales glitter in moonlight. Dainty ships drift in corked bottles: infinitude air-sealed. Faraway panoramas spellbind when pain is sieve. Dreaming of utopia & its tall cities — oceans never sleep. ∞ A poet says there is something alive about the desert. Blistering childhoods breed a certain strain of resilience. Even in perpetual winter, you carry that heat with you. ∞ Disembodied legs & headless chests glimpsed from ribbed metal piles — bodies lean off the rails to trace reflections in the fever river. Slurred collages: every night dancer is a stranger grinding darkness — a permanent gloaming. ∞ Weight of sand slips away in frets of hands like an hourglass; ruched hem of a flamenco dress is a ripple of waves. Cutout windows in the hull are eyes fixed to the world, gazing for words printed in the embers of stars: Gemini, Dorado, Norma, Crux, Cassiopeia, Orion, Lynx. Handwritten books are burned — their spines coil & char. ∞ …woodland creature guards the shrub picked clean of berries — waiting for spring, ∞ Federico García Lorca said: “it’s power, not a / work. It is a struggle, / not / a thought. Not in the throat, climbs up / inside you, from the soles / of the feet. Meaning: / it is not a question of / ability, but of true, living / style, of blood, / of the most ancient / culture, of spontaneous / creation.” ∞ Arched by the heart of a steady bulb, eyes pinched & narrowed, licking ends of threads to forge swords, lancets — spinning miniature wheels of a vintage Singer, stepping on the treadle to compose melodies in E minor for angels stripped of their wings — for remaining ∞ Odyssey of what can be carried on bowed shoulders. Prayer is compass & sail. There’s no turning back.



Glass: A Journal of Poetry is published monthly by Glass Poetry Press.
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