Jake Bailey
Schizo Man: Origins
The sky was fire,
sweat stains seeping
decades old mattress,
confess
it was my grandfather’s house,
the home
of my mother,
home of her estranged
sister, stomping grounds
of my uncle,
same spectrum as me,
same as me,
alien,
frothing,
bitten by the silence
of schizo bred dream.
Maybe it was the heat
it was the heat
the heat
or the seizure light
outside the window, something
watching when no one’s
there. My ex-wife
was snoring, curled
like an innocent drunk,
could she have
known that a river
grows a canyon? Known
that bears can stalk
for miles (though
I’m sure I’ve heard
otherwise, that their soot-
black noses scour
for campsites
devoid of the living,
I’m sure I’ve read that
somewhere)? First,
a kind of waking trance
straddling brain and bend,
brook and stem,
chasm of imbalance,
becoming. Unfolding,
fractals descended
over crust-brick walls, crawling,
climbing chip-cracked trellis,
knew my name, knew my
name, my hiding spots, knew
the old place in Erick.
It was red
all red, everything
crimson bleed, firestorm,
ember, screeching
owls engulfed
in hook-horned inferno —
I was awake
I was awake
awake
curtains drawing themselves,
breath on the base
of my neck, murmurs,
then murmurs, then red,
more red, then hunger,
mouth-wet, hunger
for meat, for black,
for kill,
the thrill is wrong,
I saw what I could do,
could choose,
it wanted,
I wanted
peel like
brown-rot banana,
like snakeskin littering floor,
and they wanted,
always wanting, always reaching
for hands, not my own,
metal,
acrid incarnation,
cessation,
incarceration, I don’t want
this, I don’t want
what I want, don’t want
any of this, but I can’t
turn away, channel won’t
change into something, not
this wreck of bodies
staining the ground,
the sound of dead,
then red,
it’s not
me
anymore, anymore,
I can’t tell, they’re
listening, my cell is tapped,
the pine is full,
He was there
biding his time at the end
of the bar, tar steeping glass,
no intent of paying,
of saying “saved,”
then red, it was
all red,
red
red
red
red, but I woke,
shed my skin,
hid in a bin of rind,
I’ll deny
everything
without my lawyer here,
you can’t make me say anything
anything I haven’t already said,
but you knew, didn’t you?
In the past, they called it possession,
prescribed a white-collared priest
to rip festering tooth,
sinew snapping unhinged
salvation, but this is just a phase,
a haze
of mustard gas,
they’ll pass if I paint
the blood just right, then night,
I’ve got a bundle
for kindling,
bind them in bouquet,
wormy stems snipped
for vase, but
they’ll take root anyway,
they’ll take it anyway,
any way I look, it’s me
all the way down,
the sea, the sky, the dawn,
he’s eating fawn in fields
of stink and sour and rot,
it’s me
in here
or him, me
and him,
see, we have it all planned,
I’ll set the stage and
he’ll act it out, take
a bow,
a bow,
the bough
before they know
what we’ve done, know
what we’ve done, done,
no red, no red, no red
then dead, inside, inside
is me, the sea, the surf,
he’s plastic, rhyme, and dirt,
he hurts,
same as me —
my uncle used to play
cards with me in the same
room like destiny
was licking its chops
before I was hungry,
before
it was red
“Schizo Man: Origins” provides an account of my first psychotic break and was written during another semi-relapse. As such, the piece employs the odd-linguistic turns and imagistic fracturing that often occur for persons on the schizo-spectrum. As for contextualizing the poem, about four years ago, I was on a road trip with my ex-wife across a good chunk of the northwestern, western, and southwestern states. Toward the end of the trip, we stopped at my grandfather’s house in Oklahoma to both visit and get some much needed R&R. After a fairly normal day, and without warning, all hell broke loose in the middle of the night: I could feel wet, hot breath on my neck, felt a third presence in the room, heard voices whispering in and “outside” of my head, and I suddenly felt a desire to commit violence, a kind of sick hunger that something else wanted, but made me want, too. Originally, I thought that I was having a hyper-realistic nightmare, but I would later come to realize — after being diagnosed and working through it in therapy — that that moment signified my becoming something else, that madness had descended and begun planting its roots. The episode was also the first time that I encountered what I call Voice 2 — referred to as “he” throughout the poem — a distinct and singular voice that consistently manifests when I’m experiencing a break. While it didn’t talk directly to me, I felt the same presence in that episode that I would feel in later episodes — some of the murmurs were in Voice 2’s unmistakable, raspy voice. While I’ve recovered and remain fairly even while medicated, this first episode still haunts me and serves as a constant reminder of how close I constantly am to becoming “Schizo Man” and riding shotgun with Voice 2 at the wheel.
Glass: A Journal of Poetry is published monthly by Glass Poetry Press.
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