Robert Siek is the author of the poetry collections Purpose and Devil Piss (2013) and We Go Seasonal (2018), both published by Sibling Rivalry Press. He lives in Brooklyn and works at a large publishing house in Manhattan.
And sometimes it’s okay to cross on foot at a stop sign
and not look down the one-way street, the open end
of a cannon, like here I go time traveling, skipping back
and forth on the highest level of a newly built fortress,
very it’s still the age of exploration and this damn wall
will be here for tourists in the twenty-first century
doing hair whips and shouting, “I’m Linda
Evangelista,” while snapping a selfie;
the stones used for construction,
the painted black cannonballs
older than towns in New Jersey,
impersonating pyramids, listening
to the ocean, teenagers twirl like nature
said here I am, let’s dance till blood beneath
toenails, bring it to a boil, shake a bottle of seltzer
then unscrew the cap while the open end ejaculates
up nose, over teeth. Purple alert, numb toes, SUVs speed
past stop signs. You better post this shit on Instagram.
Who’s ready for a closeup? Ten thousand likes
and an autopsy that will go down in history.
This poem began one day while I was taking a walk. I came upon this street crossing at a stop sign that was recently erected and often ignored by drivers. I imagined one of the many people walking while focused on their smartphones just heading out into traffic trusting that cars would stop, and the poem took off from there. It began playing out in my head and I felt a strong need to start writing it on my phone — once I was safely across the street. The idea of being unaware of our surroundings thanks to technology led further to exploring how often in the midst of places, things, people, phenomenon really worth looking at, focusing on, that instead many of us are searching out the best spot for a selfie. Personally I find it all a bit sad, but whatever, onward and upward.