Jennifer K. Sweeney is the author of four books of poetry, most recently Foxlogic, Fireweed, winner of the Backwaters Prize from Backwaters Press/University of Nebraska. Her other collections are Little Spells (New Issues Press, 2015), How to Live on Bread and Music (Perugia Press), and Salt Memory (Main Street Rag). She is the recipient of many awards, including the James Laughlin Award from the Academy of American Poets, the Perugia Press Prize, and a Pushcart Prize. She teaches poetry workshops at the University of Redlands in California, and is known for a decade-long practice of private instruction and manuscript critique.
Jennifer K. Sweeney
Every morning we boarded our little ship
though our travels could not brag of anything
but the minor. Most days we never made it
out of the bottle.
Mimosa seedpods like a switch
of leather between our thumbs,
snails sheening across the sidewalk
in a brief and silver art,
we were pirates of seeing
the quiet thing. We rooted for the ants
who found the colored sugar spill
hauling emeralds across the kitchen counter.
We praised the black widow who spackled
five starry sacs against the clanger of the bell.
My life, my agenda, how it hurt to pry
off that pronoun like a swollen cork
but when its absence became a comfortable
wound, (my) life kept its borders
open, relieved of the burden
of definition.
We aimed our twiggy arrows at the sun,
fed animals with our hands,
and with a clan privacy ate dinner on the floor.
It was hard not to slip into nostalgia
while still immersed:
confusing the tenses when I cast behind
what was present as if to prepare
myself for the years ahead
when they would orbit outward
from the focus of our choral gaze.
I am supposed to say I wanted
to devour them, I wanted to run away,
that I was tired and worn
like a groove, and sometimes
I wanted to read all day and mostly
I wore sweatpants
and sometimes I yelled and everything
was dreadfully unclean, but being with my sons
every day was most like theater snow,
a tiny hidden source above our heads
cranking out the dust, always a shock
how it lit up the dark.
Terrible cliché, I knew it would go fast,
could feel the gallop beneath our perpetual
chase game. True, my life, good horse,
trotted back as I was warned it would
not, rearranged in fractals
and without the same iron grasp.
And when I said how much
I loved the hours: the concerning stares,
I was a helicopter, I was a bore,
surely obsessed, I must have lost
my feminist edge somewhere in the Lego bin
but before the world got a piece of them
we were in a snowglobe, a glass womb
filled with the amniotic of our own awe.
We were mighty and no one saw us.
We rescued lizards from a sudden cold,
we made drums out of every single thing.
We hid from each other and told each other
where we were hiding.
Glass: A Journal of Poetry is published monthly by Glass Poetry Press.
All contents © the author.