Aileen Bassis is a visual artist and poet in New York City working in book arts, printmaking, photography and installation. Her use of text in art led her to explore another creative life as a poet. She was awarded two artist residencies in poetry to the Atlantic Center for the Arts. Her poems have been nominated for Pushcart prizes and two poems are in anthologies on the subject of migration. Her journal publications include B o d y Literature, Spillway, Grey Sparrow Journal, Canary, The Pinch Journal and Prelude.



Poets Resist
Edited by Michael Carter
August 8, 2019

Aileen Bassis

On and Off the Dixie Freeway

In Florida, motels are named for dreams of escape or hope or afterlife. There’s Blue Lagoon and Shangri-La and even Paradise Motel. Florida bears gifts of small surprises: a lizard flicking an orange dewlap like a heart beating outside its body & a passing snake delivers an atavistic shiver down my back & it’s fun to drive around in my rented Chevy Cruze on the North Dixie Freeway where a guy on a motorcycle passes me. No helmet, ponytail in the wind, belly comfortably roosting on his legs like an old song that keeps running in my head & I see a Confederate flag fluttering from the back of his seat. I shouldn’t be surprised, we’re in Florida & this is the Dixie Freeway, juddering through towns with statues of Stonewall Jackson & Robert E. Lee with a history that fits me like someone else’s clothes & I reach my destination & waiting for a show to start, hear a blonde lady say, you can’t sit there to the singer with dark skin & twisted locks & the singer answers, this chair is mine, I’ll sit where I want & everyone keeps chatting & I sip white wine & nibble snacks while mosquitoes keen around my head & I don’t know what to scratch.

Poets Resist is published by Glass Poetry Press.
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