Aimée Lê is an Associate Member of the Poetics Research Centre, Royal Holloway, University of London, where she received her PhD in 2018. She is the author, with Fiona Chamness, of Feral Citizens (Red Beard Press, 2011). Her writing has been published by Muzzle, Litmus Magazine, and The Journal of British and Irish Innovative Poetry. She also releases music through Fytini, a Greek queer DIY label.
Poets Resist
Edited by Sarah Clark
December 19, 2018
Aimée Lê
Ways Not to Think About It
I
She said he raped her but now seems to not
speak of it or it didn’t continue to enter into
shared reality — when a woman says she is
scared of a man, says jacqueline rose, it is not
for no reason — psychology gets you
nowhere, empathy is for the self or figures in
resemblance clustered others ceasing that
are not figures to be here therefore to be
within the enclosure — hosting — jobs benefits
costs — he took over quickly — no recordings
but also, no one to show them to, to share
them with, when someone walks in to a
meeting with a tape recorder something has
gone very wrong already — but the already-
wrongness will be used against you, you in
fact, are culpable, for being here, for seeing
it, for not contributing or — sociopath — he
has nothing but this — she abused him — we
should call their parents and tell them what
they’ve done — you fucked with the wrong —
you fucked with the WRONG — nobody gon
fuck w my poetry again sd shabine thru
walcott’s knife — if you insist on inserting
yourself as a — if you insert yourself — without
asking — or — without asking and without
letting anyone — insert yourself — you’re
inside you fucked w you fucked you nathan
should when he spends all day FUCKING
YOU — you should — you should spend your —
you should be more careful who you spend
your — pounds or even people — you should
insist on the impossible which is what — you
shouldn’t have done — you are done — come
back — and I hear what other people said and
they don’t trust — to x oneself out — to X
oneself to be Xed to be fucked to be really
fucking fucked to be Next (clap — clap —
clap). and the dream of you no as never you
as him he is never you the dream of
someone we all know to whom I refer as in
the centre the web if you know of whom I’m
speaking you’re complicit now too. he came
up immediately, I have my journal the first
day. someone called someone a. someone —
a man with a name — called someone — a
woman — a parasite. he is — or — if you are — a
parasite — of the sickness that we are all
feeding from. not to choose, not to limit. and
you are sick too who remove yourselves as
tumours complicit or why didn’t you or, you
didn’t, go, public, just go, for god’s sake
hurry up the idiotic british man yelled behind
me as i glanced back.
II
we should
forgiveness is
we all
we don’t want
it’s not as if
what does that
for the
at least we can
save something
I pulled the trigger with my foot
In my interior
And I want you to know my interior to know it
like knives if you presume to reach over
which
Bitch I am not the one
Beyond which I cannot save you.
III
I got your back. I got your back which is to
say. I have decided the cost of you is worth
me. But also that the labour you extends me.
But also that. You are not labour you are the
extends. You are not what kills or you are
and I got your back shooting out loud not
the one today is not our day
But I am the extension of what you’ve done.
IV
When she also spoke it seemed like stopping
I thought she didn’t it wasn’t it didn’t help
first you kill yrself then you move to the
others.
V
There’s nothing left to say that isn’t sordid —
sort it — sorted. Domestic tragedy at which
we all feel revulsion. Why didn’t somebody
do something. Refrain of women thru time.
Do you, actually, give a fuck, about anything.
If so, why. If not, why not. Enough
murderous delusion, now time for the
weather.
My diary from the first day — someone else
behind him, so cheerful.
Sickening to die, end it, don’t you, name
inscribed everywhere even where I —
No one. Wants. Anything. To Do. With.
You are lower than the metaphor used to
lower. Far much proto-fascist — if you
disagree, ask yourself, would you be willing
to live there? If you disagree, ask yourself,
would you be willing to live — with him — with
her — with them? If not, why not. If so, draw a
picture and tell us what it’s like.
VI
If it isn’t true then we’ve ended up
somewhere worse than expected, a place
where best intentions detonate a pluriversal
anarcho-xenocide. Ask yourself who owns
your fear and why and if he’s coming back.
VII
Ask yourself why it only lasted a few days
and went underground the inscription of
names. We found Miguel on a tree.
VIII
Nothing to do with trust or daily life even
motorised and you want us all to sit through
it. And we do. 3 hours on average, is it a job,
were you, burn down, I want you to burn
down.
IX
I dream of killing — not you, him, her — I won’t
gratify with the you of the lyric, with the love,
I dream of stabbing him, of bashing her with
a golf club, it doesn’t feel good, it’s
horrifying to watch something die, but
there’s also the alternative, not watching,
not watching as something plural dies.
X
I hate you for what you’ve done and the
words you’ve used to do it and to conceal
the crime knitting over like scar tissue, I hate
that I will always be a part of where something
happened and the horror that perpetrators
never see themselves reflected in the shine.
They move on. We burn.
XI
End ownership. End faces. Whatever
happened to B narrativised and imprisoned
in a gallery. Who tells the story owns you. Kill
the story. Death to the story. Who crossed
out my name. He never had to deny it to me
about to beat and drag him until now, funny
the language of threats and the language of
the X’d. It’s no good to someone’s face. It’s
no good to anyone’s back. And no one
should know. Fade to blk. Drop.
XII
No use forgetting if that’s a labour itself of
crossing out your own name write a hundred
times “I will not remember what somebody
did” and sign practice bubbles n cursing. No
use remembering for whose sake for a
collective formed by the enemy’s rhetoric
disassembled years ago the mission
deteriorated self-owned. No use forgetting if
you see their faces and names while you
linger in the half light of the X’d. No use
remembering if you can’t sustain the things
you did wrong in the wrong name. No use
forgetting when you might get your chance
on the bus late at night at least to cause
minor damages. No use remembering when
no one remembers you.
XIII
Now is when I’d list your names like some
idiot who sends raw emails. But I don’t have
any. Name names. They say. I know it’s a
good idea. But that’s all they have. Names.
And we don’t. Or I.
XIV
If I had as many lives as I had hairs. At least
one tongue. And it’s much easier to kick
someone to death when they’re already on
the ground, that’s one problem I foresee.
Understanding is a luxury of perps. If even
the sun. I could start from any perspective.
That’s part of the problem. We are in
the foothills of a great mountain said someone
who didn’t understand but was right anyway
and dead elephants Hannibal brought. You
can’t call someone a traitor who was
unfaithful to an unarticulated idea, an X’d
idea. You can’t call someone a traitor if
they’re just normal. Why do you even exist
his gaze suggested. Who the fuck are you
then. Would you like something to read. And
there may have been no way anyone got to
you. Maybe you.
XV
In the un named of all the X’d. In the unseen
shadow of the tunnel. In the motorway. In the
inexplicit and fucked up in the shadow of
risk. In the unlist of the unthere, not the not
there but the made to unbe. There is no
confession. Only the guilty forgot what they
had to confess to. There is just a mark.
Where something was. And then was made
to never have been. There are a million ways
not to think about it. Pick one.
Poets Resist is published by Glass Poetry Press.
All contents © the author.