Megan Merchant lives in the tall pines of Prescott, AZ with her husband and two
Children. She is the author of three full-length poetry collections with Glass Lyre Press: Gravel Ghosts (2016), The Dark’s Humming (2015 Lyrebird Award Winner, 2017), Grief Flowers (2018), four chapbooks, and a children’s book, These Words I Shaped for You (Philomel Books). She was awarded the 2016-2017 COG Literary Award, judged by Juan Felipe Herrera, the 2018 Beullah Rose Poetry Prize, and most recently, second place in the Pablo Neruda Prize for Poetry. She is the editor of Pirene’s Fountain, and an editor at The Comstock Review.
Poets Resist
Edited by Jemshed Khan
May 23, 2019
Megan Merchant
This repeat of terrible history.
“it is a curious subject of observation and inquiry,
whether hatred and love be not the same thing at bottom.”
— Nathaniel Hawthorne, The Scarlet Letter
There is little time in this life. I’m reminded
when a Goldendoodle shags over the rock
I’m squatting on, brushing my teeth. Such an
elegant dog to be stray. The water swirled with
mud red as a wince. The campground clutching
quiet, smoke from last night’s roast — a whim
of perfume on the sycamore. My grandmother’s
vapor trail after she left a room. My mother’s
hair. A king snake soothes through the brush
without the dog so much as barking, as if she
too knows it’s the good kind of snake, but still
an unsettling and fangs. Still our warnings come
from experience. I’ve been without text alerts
for three days. Without this repeat of terrible
history chasing me into sleep. A woman
shouldn’t walk alone in the woods anymore.
A woman shouldn’t anymore. A woman. A.
The dog posts, alert, watching me. The creek
bed flowing like cursive over rocks, steady,
as if the same headlines of water dip over
rocks again, and again, a kind of witchcraft,
difficult to define, like god. The skin of sediment
murking the bottom. The nearest picnic table
stamped with a warning — don’t burn.
Poets Resist is published by Glass Poetry Press.
All contents © the author.