ISSN: 1941-4137
POETRY THAT ENACTS THE ARTISTIC AND CREATIVE PURITY OF GLASS
POETRY THAT ENACTS THE ARTISTIC AND CREATIVE PURITY OF GLASS
Cover
Masthead
Rane Arroyo:
Brokeback Mountain
Frederick Lord:
Diving Bell
Allison Tobey:
The Wedding Photo
Frederick Lord:
Cupping My Car Keys like a Bird I Want to Keep Quiet
Tom Carson:
Breakfast plate portraits
Ryan McLellan:
Too much life
Peter Gunn:
Tate Modern
Tom Carson:
The beach
Sally O'Quinn:
October View
Jeff Crouch:
thermostat
JR Walsh:
Maybe he'll adopt our children
Carine Topal:
Eating Apples
David B. McCoy:
Skylight
Lightsey Darst:
Don't
Amanda McQuade:
At the Shore
Lenore Weiss:
U.S. Soldier With Traumatic Stress Disorder Syndrome, Post Iraq
Adam Houle:
How I Imagine the Seasons on a Walk with My Dog
Daria Tavana:
Bunkered Up!
Martin Willitts, Jr.:
Forest Haiku
Joseph Reich:
from Twelve Odd Stanzas Involving Culture
Lisa Fay Coutley:
In Love, Fridays are Best Spent Watching the Discovery Channel
Ray Succre:
Seedless Blackberry Jam
Davide Trame:
The Threshold
John Grey:
Glassy
Ryan McLellan:
Exploratory
Kenneth Pobo:
Leave it to Buble
Joseph Hutchison:
Poplar
Amanda McQuade:
Happy Hour 3
Adam Penna:
from Lyrics to Genji
Lisa Fay Coutley:
In e-Harmony
Anne Baldo:
jenny hanniver
Jackson Lassiter:
Instant Oatmeal Instructions
Taylor Graham:
Erinys Erinys
Celeste Snowber:
water litany
Davide Trame:
Moth
Contributors
Volume One Issue One
water litany
It was the colors
that drew her
bent her body
towards the earth
a prayer of contraction
to the sea where
tiny opalescent gems
gleamed through
mud and pebbles, twigs
and shaded green
weeds of sea
a rhythm of reaching and picking
gathering and releasing
placing and holding
in pockets — tiny shiny
jewels of the sea
formed and tossled
by the dance
of wind and ocean
this one gesture
of extension:
arms and shoulders
hips leaning
close to earth
a litany to water,
hands marked by
sand and salt
seaglass and moist mud
Glass: A Journal of Poetry is published by Glass Poetry Press.
All contents © the author.
All contents © the author.
