Glass Poetry Press

editor@glass-poetry.com

Volume Three Issue Two

Cover

Masthead

Sara Henning:
Adolescence

Edward Byrne:
Fishing Boats in Afternoon Light

Laura E. Davis:
Missing

M.J. Iuppa:
Eavesdropping

Davide Trame:
Gout

Chas Hoppe:
Coda

Jennifer Wong:
The Last Monologues

Sharlene W.N. Teo:
End Games

Lois Marie Harrod:
Marlene Mae Likens Her Mother to Omega

Michael James Gossett:
The Pensacola Beach Pier

Chas Hoppe

Coda

The past is tidal waves overlapping from stones skipped on the sound father and son sunset silhouette in sherbet relief on rocky beach obsolete medium made relevant by circumstance and nostalgia It is old cassette recordings of the People's Choice Countdown at 10 mixtapes of rock star guitar god indoctrination tabs and chordbooks faded sticker fake-strat starter guitar's distorted dischordant symphony It is breakroom copies of People and Us employee meals at Dairy Queen trashbag tomato can lid emergency room thumbstitch trip purple Decepticon sticker illuminating sun-warped backseat videotape The past is making waves with power chords as the tune plays itself out.

Grace Marie Grafton:
Vivid

Justin Dodd:
The Accident

John C. Mannone:
The Pines of Maunabo

Sara Henning:
Little Match Girl

Glenn Ashley Paterson:
Inside Elizabeth

Luanne Castle:
Focus

Jessica Barrog:
Pedophile

Robert Hastings:
The Meaning of It

Caitlin Mackenzie:
The Dive

Cyndle Plasted Rials:
Out of Water Fashioned

Contributors