Jason Koo
Everything We Look Upon is Blessed
By the time we’re aware of it, fully aware,
that is, it’s already too late, showing “fully”
to be a fiction, not just “fully” but awareness
itself, there being no difference between aware
and fully aware, everything hopelessly partial,
or hopefully partial, hope seeming to be what
gets in the way of understanding just how dire
the situation is, oh this problem will go away,
it’s not that bad, there’s no need to be paranoid,
look at all these idiots panicking on social media,
they’re creating an alternate reality, or so I said
as I traveled to attend the writing conference
in another state, declaring, It’s not like the NBA
is cancelling its games or schools are closing down,
think of how many more tens of thousands
of people are gathering for those things every day,
then, two days after I got back, the NBA
cancelled its games and schools started closing down,
including my own, who’s the idiot now (you
idiot), but I didn’t think that, still don’t think it,
not really, even as I know I used to mock people
who thought this was anything more serious
than the seasonal flu, something I picked up
from my new doctor, a Chinese guy in Chinatown
who said he loved what the Coronavirus had done
for him on the subway and at restaurants, now
he just had to cough to clear out a whole section
of a train during rush hour, he no longer had to wait
to get seated at the most trendy Chinese restaurants,
the authority of his mockery of white American paranoia
passed on to me my own mockery, I saw the panic
as another manifestation of racism, still see it that way,
on some level, even as I wash my hands twenty times
a day and mutter idiot under my breath at anyone
who walks within six feet of me the few times I go out
anymore, seething any time the President turns “Corona”
into “Chinese” and infects idiots out there to yell
at me to go home, but this doesn’t bother me, not really,
or not fully, this kind of racism feels minor compared
to the specter of hospitals barely breathable with bodies
(mostly brown & black), unable to keep up with the onslaught
of infection, or Vanda Piccioli, director of one of the last
funeral homes remaining open in Bergamo, Italy,
saying, “We take the dead from the morning till night,
one after the other, constantly,” characterizing her job thusly:
“You are a sponge and you take the pain of everybody,”
which cut right through the nonsense, or sense,
helping me imagine the scale of what’s happening —
but not fully, not even close, not really, and that
because what’s happening is still, for me, sadly (happily)
a matter of the imagination, I haven’t seen the hospitals
or funeral homes, haven’t seen anyone sick with the virus,
don’t even know anyone yet who has it, only know
what I see on a screen, which changes constantly, you
shouldn’t wear a mask, you should wear a mask,
you shouldn’t wear a mask, you should wear a mask,
the director of the CDC comically (tragically) saying
guidance on the use of masks is “being critically
re-reviewed,” one doctor saying in the early going
how you were more likely to be killed by lightning
than the virus, what an idiot (you idiot), but was he
actually wrong, or just not fully right, how do we
know, I’ve seen more lightning bolts than people
dying from the virus, the only “real” evidence I have
drawn from the world’s withdrawal, stores and restaurants
shuttered in my neighborhood, gym padlocked
one night after I’d worked out there with nine people,
then five, then one, the three nights before, forcing me
onto the track across the street where joggers swerved
away from each other across the lanes, or, most eerily,
the BQE over the Kosciuszko Bridge entirely free
of traffic during rush hour, a freedom I’ve never felt
there before, making me almost giddy, was that fear
you felt, no, not really, just a strange difference, a fascination
at absence, if this is the apocalypse, I thought, it’s not
how you imagined it. But did you imagine it, didn’t
you rather have it imagined for you by the makers
of spectacular fictions, who filled your mind with images
of a world gone animal again, elemental, everyone
smeared with their own shit stumbling around
in fetid caverns such as the gutters in hell full of condemned
souls must be, relieving themselves wherever they like
because what does it matter, they’re all blind,
they can only see white, or a man tearing open
the throat of another man with his teeth to break
free of a headlock as another man threatens to rape
his son in front of him, or a husband abandoning
his wife to save himself as they’re cornered
by the flesh-eating infected, then later finding
to his surprise and shame that she hasn’t turned
when they’re reunited by chance in a safe zone,
begging for her forgiveness, saying he was just
terrified, kissing her to make up and discovering,
too late, that she has been infected, but is just
immune, instantly turning on her and gorging
himself on her face as if in a vengeful rage,
as if he blames her for tricking him like this
when he thought he’d escaped by caring only
for himself. This is the pandemic we deserve,
isn’t it, the one that seems to happen by not
happening, the asymptomatic infected thinking
it’s happening someplace else and carrying on
as usual, spreading the infection, the most
powerful visual toll not the bodies of the dead,
not the caregivers buried in protective gear,
which barely dent our Netflixed imaginations,
but the “Great Empty,” as the New York Times
called it in a special Sunday section on March 29,
all the places in the world emptied of their publics
captured in full-page color photographs, the Place
de la Concorde in Paris, the Spanish Steps in Rome,
Times Square in New York, and this toll you can’t see
except when gathered in a gallery, otherwise
you’re in just one place at one time and likely not
in one of these, and the photos are beautiful,
not terrifying, distilling the aesthetics of social
distancing, giving idiots (you idiot) incentive
to venture out into #thegreatempty to Instagram
it, imagine this pitched as apocalyptic cinema, perhaps
Antonioni could do it, but only for a few minutes,
what a flop, we’d sit there wondering when something
was going to happen, is this all there is, where are
the zombies, the savage acts, where are the cities
reduced to rubble, where are the people, oh there,
sitting at home, mostly (white) bored, staring at screens,
frustrated they can’t find any more sanitizing wipes
or toilet paper online, annoyed that packages
are taking more than two days to arrive, doing more
cooking and cleaning than usual, drinking more
than usual, spending less money, worrying more
about money, waiting for checks to arrive, applying
for grants and loans, finally spending more time
with the fam, making more of an effort to reach out
to friends and ask them, actually kind of ask them,
how they’re doing, and not just by sending a text
but calling, doing more reading, finally attempting
War and Peace (or not), making use of all the mindfulness
apps they didn’t have time for before — is this the way
the world ends? Not with a bang or a whimper
but more time at home? More time for self-care?
It’s a strange spectacle, this non-spectacle,
instead of something alien to see we’re given
ourselves, magnified in all our mundanity, lack
of knowledge and imagination, and inequality,
even those on the front lines, the doctors and nurses
and EMTs, can’t see what they’re fighting, can’t
even really be said to be fighting, as they don’t know
enough about the virus to treat it, only how to try
to make those suffering a little more comfortable,
what’s most frightening is what’s not there, the threat
of infection, the ventilators and masks running out,
the beds running out, the space, the millions of jobs
liquidated, cash and investments depleted,
the virus most visible in how it’s devouring our
infrastructure, while the only thing we can do,
apparently, to stop it, according to what we know
(but what do we know), or if not stop it, slow it down,
is to be not there, to stay away from each other,
stay away from places of business, which seems
like a curious way to slow down, let alone stop,
the collapse of the global economy, absurdly
those of us more privileged sitting at home
could be said to be more on the front lines
than those actually putting their lives on the line
because it’s up to us to stop the spread of infection
by not doing anything, and what civic action
is this, not doing as the new doing, not being there
as the new being there, online as the front line,
does this sound familiar, isn’t social distancing
the dystopian dream of social media? Living
in a world where going online to engage with it
is the healthiest, most responsible way to be,
where there’s no judgment about screen time
or shaming about addiction to virtual reality
because this is the new reality, the tweeting
moral mobs and Insta-influencers have won?
This is the reality we deserve, isn’t it, where
we learn just how joyless is the world without
the world (“damn,” Karen Chee tweets, “I am
in New York and I miss New York so bad”),
just how empty the community without bodies
together in a room, just how socially distanced
we already are, and how far gone we are, how
we can only bring ourselves back by withdrawing
even further into this reality where “your ZIP code
is often a determinant of your health outcome,”
as Mandy Cohen of the NC Dept. of Health
and Human Services says, shedding, en masse,
more black and brown and poor and old and sick
and disabled bodies, doubling down on our segregation
as a state-sanctioned matter of public health.
There can’t be any talk of togetherness as a way
out of this, can there, except by idiots (you idiot)
who think “we’re all in this together” because the virus
“doesn’t discriminate” between young and old,
rich and poor, white and black, see, Tom Hanks
got sick, Boris Johnson’s in intensive care,
Fountains of Wayne dude died, sure (you idiot),
but we discriminate, for every Tom Hanks
who doesn’t die there are thousands who do
because they lack access to health care or live
in cramped quarters with two or three generations
of their family or they’re old and already sick
with something else so the ventilator they need
gets passed to a younger person, I can’t believe
I have to write this down — I was going to say
“it makes me sick” but of course it doesn’t,
I get to sit here and think about how privilege
even gets revealed in figures of speech, who uses
them and how, I don’t have to write this down,
I get to write this down, of course I get to write
this down, of course I can believe it, I go to sleep
every night believing I’ll wake up the next morning,
body and mind functioning, blessed with the right,
the opportunity to write, blessed with even more
time now to do so as I no longer have to commute
to work in Connecticut three days a week, one
of the silver linings (you idiot) of the pandemic,
as I’ve been saying to friends, blessed to be able
to enjoy silver linings (instead of redlining), blessed
to have a job that can be moved online without
much trouble, blessed (you idiot) by the many ways
teaching is easier because my students are more
relaxed and more focused on Zoom without
the distractions and anxieties they have to deal with
in the classroom, they can just chill in their beds,
no one starts to pack up five minutes before the end
of class anymore or checks the clock, or maybe
I just don’t notice or care, as I’m looking at a screen
with little thumbnails of their faces and don’t read
anything into their bored expressions, as I would
in the classroom, can’t read their body language,
more silver linings (you Bradley Cooper), blessed
to be running a business whose operations are run
online, not in a building with a lease or mortgage,
whose main source of revenue, poetry workshops,
can be moved online and draw even more interest
now that so many people are forced to stay at home,
whose events, if cancelled, mean money saved,
not lost, whose staff is small, part-time and can still
be paid to do their work online, who knew it was
such a blessing to be small? Blessed to be me, blessed
to be me (how lucky for you, you fancy fuckface),
this is just how things have worked out so far, things
could have turned out very differently, my ambitions
have always been to grow much bigger, to build
my company to have a physical presence, to build
my staff, to build beyond a life of teaching poetry,
already my wife and I are looking to buy a second
home upstate, to start a family, imagine if we’d
just done that and the person renting our 1 BR
in Williamsburg was suddenly unable to pay rent,
making it impossible for us to cover both mortgages —
yeah, just imagine (you idiot), we’d still be okay,
it wouldn’t be “impossible,” both of our families
have money, we’d figure it out — we’d get to figure
it out — what a horror, not to be able to pay both
mortgages, I can’t even believe I’m writing this down
(you idiot), it doesn’t make me sick, what a failure
of the imagination has gotten us here, we can’t see
what we’re fighting because we couldn’t imagine
being in this situation where we already were,
blessed to be us, blessed to be us, now just
waiting it out, unable to imagine anything but
ourselves, blessed by everything, as the famous
poet once said, everything we look upon is blessed.
Glass: A Journal of Poetry is published monthly by Glass Poetry Press.
All contents © the author.