Donna Vorreyer is the author of Unrivered (forthcoming, 2025), To Everything There Is (2020), Every Love Story is an Apocalypse Story (2016) and A House of Many Windows (2013), all from Sundress Publications. She hosts the monthly online reading series A Hundred Pitchers of Honey and is a co-founder/editor of the new journal Asterales: A Journal of Arts & Letters.





Previously in Glass: A Journal of Poetry: Detente The Lost Art of Giving Up

April 9, 2025

Donna Vorreyer

Aubade Ending in Allegro




Sludged and duct-taped, I shrink from high beams. I used to hopscotch from thought to thought, but now I am fallow-frozen, bamboozled by blue light. I forget the combination to remove my armor, clatter down the stairs in search of tiny white bullets to load into the chamber of my body. Still you patience your way through my popsicle brain, my gaping hollows. Only you can yank me out of nostalgia’s amber, pull me from my umami wallow into orange-bright morning. So untime my limbs to limber, and kiss me into ambition. Achtung, baby. Speed up my RPMs until I am nothing but spinning gibberish, until I am even better than the real thing.


In a class with the brilliant Alina Stefanescu that taught musical terminology and concepts as a companion to poetics, we were asked to consider the meanings of the terms in musical scores and to experiment with them in writing. I loved the idea of taking the term allegro, which implies a quickness and liveliness, and pairing it with an aubade, which tends to value languor and slowness. I also wanted to push the lyric language to the edge of near nonsense, using invented words and focusing on sound. I didn't plan for it to be a sort of modern sonnet, but the anaphora of the last two lines left me with a satisfying couplet ending.


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