Ammara Younas, a poet from Pakistan, has work published & forthcoming in Rattle, ONLY POEMS, Glass, Tahoma Literary Review, The Shore, The Marrow Poetry, Subtext Literary Magazine, Gabby & Min's Literary Review, The Imagist, Small World City, Lakeer, and Resonance. She is currently serving as a guest editor at Subtext Literary Magazine.




January 29, 2025

Ammara Younas

a bottle of gin pretends consciousness inside many mouths



I remember the mouth an empty wretch and then an ecstasy unbridled horizon racing beneath Archangels' abandoned horses remember the mountain poets of Spring cup the notoriety as they mouthed Allah Allah Allah their sisters mothers lovers disappeared inside their mouths and for once their voice was softer than the verses they spun in the pigmented God's Hollow I remember a kiss as it was wedding as it was prayer as it was sin forking a high tide parting seas like Moses I burnished that tongue myself I undressed the layers it collected when it crouched unmoving for years like a sedimentary rock I remember God as a foetus God as a bodach God as a lonesome dove paralysed, wearing the I wearing the worrisome We alone & as he softened me with his tongue he slept and dreamed that he told Nietzsche he'd be dying very soon I fear the dimensions string tears for the dimensions grieve with the dimensions leaking through God's very eyes he touched me after he painted a joyride colours unbecoming & when he sloshed out buckets of new languages they carried ersatz silhouettes & replica nouns & when he was nowhere to be found again I was sure his dream wasn't a dream (if God were here, would we need language?) I held a special feast and kissed everyone so long, solipsism the drops of me that flushed through God's frozen belly dreamed of him asking mother, finally, I've become myself mother, am I even recognisable anymore?


I wondered what it would be like if alcohol had consciousness. Perhaps it would archive ecstasy, fear, desire, and memory in every mouth it touches. It would become not just a witness, but also a participant in a spectrum of experiences. It would loosen the sedimented layers of silence and restraint, awakening a tongue that had forgotten the language of intimacy. I wondered what it’d be like for God after creating all that he did; he might need a drink. I also wondered what it’d be like for him after he’d had a drink. I hoped to explore the liminal spaces between ecstasy and despair, intoxication and revelation, the individual and the divine. I think that in moments of excess, we may glimpse fragments of higher truths, but those truths are often distorted or fleeting, slipping away as the gin itself courses through the body and mind.


Glass: A Journal of Poetry is published weekly by Glass Poetry Press.
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